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I make you say my name, 2018

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I make you say my name is a collection of 40 poems and 22 photographs. The order is unfixed. It is unbound. The cover is a square of lace and satin, which is tucked and pinned around the paper. Inside it you will find reflections on relationship. It is dedicated to j, j, and j.

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I make you say my name was read at 'this will never finish' the inaugural show at Support, a project space in London. 

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purchase through DNA Gallery Bookshop:

(dna NO LONGER OPEN)

http://dnagallery.ca/bookshop/ 

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Read I make you say my name in the PDF below.

READ AKIMBO REVIEW BY KIM NEUDORF >
'this will never finish' was the inaugural 

show at Support, a project space in London ON. 
The show's title is taken from a line from 
I make you say my name. Read Kim Neudorf's review
of the show and my reading here. 

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January 28 - February 25

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Opening reception: Sunday, January 28th at 3:00pm,

AT SUPPORT Project Space, 260 Clarence ST

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Juliane Foronda
Emily Geen
Kristine Mifsud
Lauryn Youden

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with a reading  of I make you say my name by Faith Patrick

 

http://supportsupport.ca/

Photo taken during the reading of I make you say my name at 'this will never finish', Support Project Space, 2018.
 

PDA, performed with PDA dancers and Koine

Nuit Blanche 2017

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For a collaboration with dancers from PDA, I was asked to write short lines of poetry corresponding to four categories; earth, air, water, fire. These lines of poetry 

were read aloud by members of a public audience to the dancers of PDA and the musicians of KOINE during a 12 hour performance on Dundas Street in London ON. The poetry complimented an abstract score the musicians from KOINE were playing. The dancers interpreted the poetry and music and rhythmic movements and gestures performed by the dancers. This work was performed for Nuit Blanche in London ON. 

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Read the poetry I wrote for PDA's performance at Nuit Blanche in the PDF below. 

Look at this Felt Text, in collaboration with:

Jamie Dronyk

Max Lucas

Peter Lebel

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This text accompanied a media installation we installed on Dundas Street for Culture Day in 2017. The installation included two TV's and two chairs facing each other. The TV's screened video footage of a derive the four of us took around London. Poetry which we wrote collaboratively was laid over the footage of the derive, like subtitles. 

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Read the poetry we wrote for Look at this Felt in the PDF below. 

HOCUS POCUS,  written with Jamie Dronyk

hand typed hand bound

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HOCUS POCUS was shown in Un-cooperative, the Biennial Emerging Artist Exhibition (2015) at Forest City Gallery

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READ PDF ONLINE / OUT OF PRINT / FEW REMAINING COPIES MAY BE AVAILABLE AT DNA ARTSPACE, in LONDON ON

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DNA artspace now closed

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Read Hocus Pocus in the PDF below.

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the name, written with Jamie Dronyk 

hand typed hand bound

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2015

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READ PDF ONLINE / AVAILABLE IN THE VILLAGE BOOKSHOP, BAYFIELD ON

AVAILABLE IN DNA ARTSPACE, LONDON ON

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DNA artspace now closed

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Read the name in the PDF below.

HUCUS PUCUS, written with Jamie Dronyk

hand typed hand bound

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2015

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HUCUS PUCUS is the bound accumulation of all of the poems we mistyped for our book HOCUS POCUS. There are many mistypes. There is only one copy of Hucus Pucus, it lives with the artists. 

sawyouseeme, written with jamie dronyk, 

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2016

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sawyouseeme is a collection of 51 poems that were projected in colour in the street front micro gallery of Good Sport Art Space. The poems played on loop 24 hrs / day

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READ sawyouseeme in the PDF below.

colouring book, 2015

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Neil Strauss's NY Times bestseller, The Game: Penetrating the secret society of pick up ARTISTS is transformed into a colouring book. Oil pastel drawings of abstracted basketball courts have been drawn over all 464 pages.

The Dictionary Translated by Faith Patri

the dictionary, 2018 - ongoing 

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the dictionary is an ongoing translation project. Each word entry in Collin's Canadian English Dictionary is translated by Faith into numbers, according to a number to letter substitution cipher. Faith is interested in the practice of gematria and isopsephy. There are 1093 entries for the letter A. A website is being built to store this data. It will be accessible to the public.

HOW TO USE THIS DICITONARY >

Aa ENTRIES NUMERICALLY GROUPED >

Aa ENTRIES TRANSLATED >

Anchor 1

BLUELAND [tender girl], 2018

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BLUELAND [tender girl] was written in stream of consciousness on Feb 21 of 2016. It was printed and released Feb 21 of 2018. The text is printed on clear acetate. The text is ongoing. It currently consists of 2 chapters. 

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you can read BLUELAND [tender girl] in DNA Gallery Bookshop for free:

http://dnagallery.ca/bookshop/ 

DNA GALLERY IS NOW CLOSED.

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A reading of BLUELAND [tender girl] was given OCT 24 2018 for Poetry London at the Landon Library in London ON, before a reading given by Sina Queyras from her novel My Ariel.

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A reading of BLUELAND was given at DNA Artspace January 25 2019 before a reading given by Christine Walde from her poetry folio Bride Machine. 

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A reading of BLUELAND was given December 5 2018 at TAP Centre for Creativity for London Open Mic Poetry. 

READ BLUELAND EXCERPTS >

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Public Wall: Lending Library and Curated Research, 2018

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I was asked by Forest City Gallery (London, ON) to co-conceptualize, design, and install a members library in November of 2018. I chose to design a library that was for lending and the exhibition of curated research. 

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I brought together a body of research for the inauguration of the library which is focused on being in place in the urban.

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You can read my statement for the library and the book/essay list in the pdf below

Untitled, Faith Patrick & Maxwell Lucas, 2018

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this text was written with Maxwell Lucas for an invited performance for LOMP in London ON. 

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we read this text at TAP in London ON, we sat amongst the audience while we read the text off our phones.

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WHISPAIR - A PERFORMANCE WITH THE PUBLIC: 

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Public attending Edition are invited to play a game of Telephone with Faith Patrick - play of the game will generate an experimental text. 

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WHISPAIR will be co-presented by Forest City Gallery and McIntosh Gallery

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NOTE: The title of the piece is taken from a poem by Maxwell Lucas. 

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Edition Toronto 

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